A Stitching Storyteller.
Susie Vickery is a time traveller and globetrotter, armed with needle and thread, on a mission to tell important and intriguing stories. Although now mainly based in Fremantle, Western Australia, she works across three continents, with benches also in London and Mumbai. Since we met Susie a couple of years ago, she has completed some impressive exhibitions and projects; it seems her imagination knows no bounds, and we are always intrigued to see what she is working on next.
Read on …
What is your craft? How do you like to describe yourself?
I am an embroiderer and costume maker who makes embroidered automata and stop motion films. I also make articulated puppets, embroidered portraits and whatever else can be used to tell a story.
Your studio – where and what is your studio/workspace like?
I have a little wooden room upstairs in our house, in Fremantle. I painted the ceiling pale blue and there are a LOT of shelves to house all my threads, fabrics, buttons, books and works in progress. It is my first separate workroom since my costume making days over 20 years ago, so I am expanding my work to fit the space.
In our London flat our main room is divided into dining room, lounge, kitchen and workroom. So I am in the centre of all the action there working on my favourite piece of furniture, an antique tailor’s bench.
Which of your tools do you love the most and why?
My tailor’s thimble without a doubt!
This comes from my theatrical tailoring days and I can no longer stitch without one. A tailor’s thimble differs from a normal thimble in that it has no top, you push the needle with the side of the thimble rather than the top. They are quite hard to buy in a small size (most tailors are men, I suppose). The only place where I know that I can always get one is in a tiny hole in the wall haberdashery shop in the old centre of Kathmandu. So I stock up when there as I have thimbles stashed everywhere; in pockets, pouches, drawers and bags. I fear being without one.
Your inspiration – what really pumps your creative heart?
I love the act of stitching, so seeing some gorgeous coloured threads always inspires me. But what really excites me is thinking about telling a story in some way with an embroidered object. I love making the puppets and automata, and enjoy the problem solving in getting the shapes and the movements right. I am also really inspired when researching new subjects and putting a whimsical, decorative slant on their stories.
What was the spark that made you choose this particular medium?
I have been sewing ever since I was a little girl and was so lucky to be able to turn it into a career, making costumes for theatre for many years.
We then went to live in Kathmandu and I started studying embroidery by distance learning, (pre online learning days, it was a case of posting work and waiting for the snail mail response.) In doing this, I discovered a whole world of embroidery with its many many layers, of technique, of history, of materials, and of expression, and a lifetime of joy opened up.
Your working style – how do you like to start on a project and then progress it? Do you stick to a working schedule 9-5 or flex around a bit? Do you play loud music? Are your pets welcome in your space?
The ideas sometimes come fully formed, and then I spend the rest of the time experimenting with technique and materials. If I am working towards an exhibition I will ponder for a while, turning ideas over and over. Often the solution comes to me on first waking. Then I do lots of research. I like projects that have a historical link so I read and read around the topic. Then I start playing with ideas.
With the automata I have an idea of what movement I want to show, but getting to that end involves a lot of experimentation.
I work when I can and as much as I can. I love rainy weather because I can just sit inside and work. And long plane trips are great for uninterrupted stitching.
I listen to the radio when I work, usually Radio National. In London it is BBC Radio 4. But if I am concentrating then no sound at all. I don’t have pets, but the odd gecko lies in the sun on the window sill.
What are you working towards right now?
I have several projects on the go at the moment. I am making a long panel for a WAFTA exhibition at the Holmes à Court gallery in September (2020). It is an embroidered puppet of a skeleton against a background of an embroidered timeline of quotes about the exploitation of workers through history. Cheery stuff!
I am also working on some embroidered portraits for a competition, teaching several embroidery courses (some with Maker&Smith and some online), and planning my entry for Tied Up With String at the Mundaring Arts Centre. For this exhibition I am going to make some miniature embroidered shoes to go into the box that we are all given.
Then when these projects are done I will start making for the big Indian Ocean Craft Triennial next year. Lots of ideas are churning around and I am looking forward to getting stuck into making them.
If you could land the dream commission/exhibition/project, what would it be?
My dream job would be to work with a puppeteer to make some puppets and their costumes to enact a historical drama or story. I would love to collaborate in this way as I have no skill in manipulating a puppet and would love someone to bring them to life.
I have also discovered, after making Peregrinations of a Citizen Botanist, that I really enjoy making small scale costumes. So the show would have to be historical, which would also fit in with my love of telling these stories. It would be a show aimed at an adult audience as I feel that kids get all the good puppet shows. It’s time that we got to enjoy the medium more.
[Collected 13 June 2020. This is a standard set of questions that we ask of all our guest presenters and ‘makers of the week’. They are deliberately low-key.]
Maker&Smith are delighted to host three workshops with Susie Vickery: Embroidering Stories in August, September and October 2020, at Camelot, a beautiful art deco memorial hall and theatre in Mosman Park, Perth.